Sára. Often tend to be obsessed.
[20, Czech, INFJ] [mainly aesthetic blog]
soracities:
“Walt Whitman, “Out of the Cradle Endlessly Rocking”, Leaves of Grass
“[Text ID: “O madly the sea pushes upon the land,
With love, with love.” ”

soracities:

Walt Whitman, “Out of the Cradle Endlessly Rocking”, Leaves of Grass

[Text ID: “O madly the sea pushes upon the land,
With love, with love.”]

soracities:
“Eavan Boland, “A Woman Painted on a Leaf”
“[Text ID: “I want a poem
I can grow old in. I want a poem I can die in.” ”

soracities:

Eavan Boland, “A Woman Painted on a Leaf”

[Text ID: “I want a poem
I can grow old in. I want a poem I can die in.”]

soracities:
“Ilya Kaminsky, “A City Like a Guillotine Shivers on Its Way to the Neck”, Deaf Republic
“[Text ID: “At the trial of God, we will ask: why did you allow all this?
And the answer will be an echo: why did you allow all this?” ”

soracities:

Ilya Kaminsky, “A City Like a Guillotine Shivers on Its Way to the Neck”, Deaf Republic

[Text ID: “At the trial of God, we will ask: why did you allow all this?
And the answer will be an echo: why did you allow all this?”]

soracities:

“One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man. For prose this home is a vast territory, a country which it crosses through a network of tracks, paths, highways; for poetry this home is concentrated on a single center, a single voice, and this voice is simultaneously that of an announcement and a response to it.”

John Berger, And Our Faces, My Heart, Brief as Photos

light-and-salt:

“But the heart has its own memory and I have forgotten nothing.”

— Albert Camus, from The Fall

rullinirubati-deactivated202203:

image

Candice Ghai “Ghost in the Mirror”

anoctoberleaf:

“loneliness slides itself along our necks like a crucifix and we gasp for anything familiar,”

— The Crown Ain’t Worth Much: COLLEGE AVENUE, HALLOWEEN, 2002 by Hanif Abdurraqib
(via decreation)

luvalla:
“//
”
cr.